Azuma Kiyohiko reports on his blog that work on Azumanga has pretty much ended finally and he talks about how they have not switched to working digitally yet.
He talks about how if he wants to change something about the character, he’ll have to use white correction ink to color it over and draw on top of it. That’s when he starts finding more and more spots that he wants to change or tinker with until the whole panel becomes filled with white correction ink. Which actually happened.
At times like this he will cut out the piece is wishes to change and transplant a new panel of the same size and then draw on that instead.
He says it’s a lot of trouble and he thinks it should be about time he used a digital method for the finishing for the manga.
